If you’re comfortable with words and organised, writing
non-fiction is easy. The end result may not set the world on fire, but the
doing of it is a simple matter of sorting out chapter headings and writing
bite-sized essays to fit, one after the other. A linear, left-brain process.
Writing novels is
whole different ballgame - what one writer described as wrestling with a jelly(fish)
and most often the jelly wins. Every novelist approaches it in a different way.
Some start with a flash of an idea, a poignant human dilemma, and allow their
muse to sweep them along on a magic, mystery tour into the unknown. I’ve a
drawer full of unfinished novels that started thus; one of them swallowed me up
in its darkness before chapter 6, others stuttered to a confused halt.
The other approach is
to sort out the goodie bag in advance.
1. Story content – even if it’s a
murder, find corpse find killer book, nowadays it needs a context. Global
best-seller The Dinosaur Feather plunged the reader deep into paleontology;
Mark Billingham’s Love like Blood into honour killings; Abir Mukherjee’s A
Necessary Evil, a witty historical dip into old Raj India. Content dictates
setting. Where, when and how best to tell the story. Robert Harris (sigh)
always a genius storyteller, brilliantly evoked the horror of Pompeii through
the eyes of a young water engineer who knew when the aqueducts stopped flowing
that destruction was imminent.
2. Characters – that
you actually like, even if they’re reprehensible anti-heroes, since you’ll have
to live with them probably for several years. Names can gum you up for days.
Stick to them; if you change half way through it’s a real grind to replace.
Always (memo to self) keep names of minor characters on file, since you’ll
forget by chapter 28 what they’re called.
3. Plot structure –
read voraciously the Star Wars format - call to arms, dream stage,
complications, crisis, resolution. Can you jam your story content, context,
characters into the winding maze of a formula for success? Left brain applauds;
right brain feels claustrophobic - too much like painting by numbers.
Compromise – lay out map with permission to go off track as whim dictates.
Then holding all of
the above in your head, as well as coping with the money-earning day job, a
mountain of domestic trivia and mandatory dog walking, you’re ready to go.
Message to brain – construct a nuclear bunker where novel lives, breathes and
can be ready to activate at the flick of a switch. Hah. Order more post-it
notes.
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